Aur Karo Theatre
Date: 30th November, 2025
Time: 6:30 PM
Venue: KCC, Amphitheatre
Language: Hindi
For Ages: 16 and above
As a part of this year’s AMI ARTS FESTIVAL, Kolkata Centre for Creativity is proud to present Aur Karo Theatre, a sharp, witty and self-reflective performance by acclaimed actor, writer, and performer Gopal Datt. Known for his versatility across theatre, film, and OTT platforms, Gopal brings his razor-sharp humour and keen insight into the world of theatre-making itself.
Aur Karo Theatre is more than just a play—it is an introspective journey into the contradictions and absurdities of a life in theatre. Blending humour, satire, and personal anecdotes, Gopal reflects on the constant negotiation between passion and survival, art and audience, stage and screen. With minimal staging but maximum impact, the piece blurs the lines between performance and commentary, drawing audiences into both laughter and reflection.
Whether you are a practitioner of theatre, a student, or simply someone who loves storytelling, Aur Karo Theatre will strike a chord—reminding us why theatre remains an essential part of cultural and personal expression.
ABOUT THE ARTIST
Gopal Datt is an accomplished actor, writer, and lyricist with a rich background in theatre and cinema. A graduate of the National School of Drama (NSD), New Delhi, he has worked extensively on stage across India before gaining recognition in films, web series, and comedy sketches. Known for his versatility, sharp wit, and nuanced performances, Gopal seamlessly moves between intense dramatic roles and light-hearted satire. He continues to be a strong presence in contemporary Indian theatre while also reaching wider audiences through his acclaimed screen work.
ABOUT THE PERFORMANCE
Aur Karo Theatre is Gopal Datt’s witty and meta-theatrical piece looks at the joys and struggles of a life dedicated to theatre. Blending humour, satire, and personal anecdotes, he explores the contradictions of being an actor—between passion and survival, art and audience, stage and screen. With his trademark sharpness and charm, Gopal turns the play into both a celebration and a critique of theatre itself, striking a chord with anyone who has lived or loved the stage.
