The course was meticulously produced and consisted of extensively researched lessons on understanding pristine European art and its masters across several epochs from prehistoric to modern spanning over four weeks. Participants were introduced and taught about the details and intricacies these arts contain by concentrating upon the stylistic techniques utilized by their masters which correlate to the epoch they belong to and the influence they have had over successive epochs and artistic practices. The course gave exclusive access to practitioners in the field similar or correlated to the art and artists discussed with unparalleled insights into their expertise, motivation and roles. The takeaway from the course included gaining the ability to distinctly identify art and their respective artists or epochs, understanding the similarities and dissimilarities in European art across several epochs, gauging the spread of a particular style or influence transcending temporal and spatial limits and understanding the intricacies present in the commercialization of art belonging to these epochs. Most of us are vaguely aware of da Vinci, Van Gogh, Monet, Munch, or Picasso, who are all considered Masters of European Art. These artists belonged to different times and their paintings bore no resemblance to each other. In spite of their stylistic differences, what is it then that cements their claim to universal greatness? This four-month-long course, designed by leading scholars and taught by domain experts, enabled young artists and enthusiasts to appreciate the artistic genius of European Masters. The course also provided an opportunity to explore with like-minded people the technical acumen and intellectual sophistication of these masters that continue to influence generations of artists in the West and beyond.